Top Five Film & TV Rewrites/Updates of “A Christmas Carol”

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Top Five Film & TV Rewrites/Updates of “A Christmas Carol”

The basic storyline of Dickens’ “A Christmas Carol” has been borrowed many times by the Entertainment Industry. The simple plot points—Grouchy Person hates Christmas, makes everyone else miserable, is visited by variations of the Spirits of Christmas Past, Present and Future, Grouchy Person has a change of heart, Christmas is saved—have been the source of many Sitcom and Drama plots, as well as fertile inspiration for many, many Variety Show skits. This list concerns itself with Films and one-off TV Movies, many of which are nearly impossible to locate for viewing these days, but are worth the effort to find on cable TV or via tired and used VHS tapes or DVD-Rs.

5. Ebbie: One of the few to feature a female Scrooge character. Susan Lucci (All My Children) is the owner of Dobson’s department store, and as per the iconography of “A Christmas Carol,” she is a stingy, self-involved boss. Her ghostly visitors show her the events that created her animosity towards Christmas, what she is missing out on today, and the dark future path she is following. By Christmas Morning Ebbie is a changed woman. No big surprises in this adaptation, aside from a woman in the role of Scrooge, but it is an enjoyable take on the classic story. The Lifetime Channel often offers this movie during the Holiday Season.

4. John Grin’s Christmas: This is a hard-to-find one-hour TV movie from 1986, featuring an all-black cast. Robert Guillaume directs and stars as the title character, a Scrooge-like toymaker. A fire on Christmas leaves the young John Grin an orphan, making him not only alone but estranged from the holiday. Roscoe Lee Brown, Ted Lange, and Jeffery Holder are the ghosts of Christmas Past, Present and Future, respectively. Carolers are replaced with break-dancers, and the Tiny Tim character is not sick, he just needs a job in John Grin’s toy factory. Not available today except on a few home-recorded video tapes stacked in closets here and there, this is one production worthy of a grass roots letter-writing campaign demanding its release on DVD. Hey, it worked with “The House Without A Christmas Tree.”

3. An American Christmas Carol: Starring Henry Winkler (Fonzie from Happy Days), this 1979 made-for-TV movie takes place during the Great Depression year of 1933. Fonzie—I mean Winkler plays Benedict Slade, Big Man in a small New Hampshire town. The big granite quarry that employed most of the people in town has been closed for many years, and the townspeople implore Slade to use his resources—from his furniture and home appliance business—to reopen the quarry and put the town back to work. This goes over with Slade about as well as the local orphans requesting a cash donation for the Children’s Home. Now we are set for the hauntings to begin. Christmas Past is accessed through old broadcasts coming from Slade’s bedside radio. The orphans he encountered asking for donations are his guides for Christmas Present, and during Christmas Future Slade witnesses his personal belongings being sold off and burned. He awakes on Christmas Morning a new man, returns the furniture and other items he had repossessed the day before, and at the orphanage selects a young boy, one that reminds Slade of his younger self, to become his apprentice. By no means perfect, “An American Christmas Carol” is nonetheless an admirable attempt at updating the language and story of Dickens’ “A Christmas Carol.”

2. Scrooged: This is one of those adaptations for which there seems to be no middle ground as far as viewers are concerned—people either love it or hate it. After my first viewing I was on the side of the Haters. The film seemed too mean-spirited and I found very little about it humorous. Then I saw it again, and again, in different frames of mind, and I started to see that it was actually a fairly clever adaptation and updated telling of the original story. Bill Murray plays the lead character, Frank Cross, the youngest Network executive in Television history. His IBC network is putting on a live Christmas day broadcast of the Dickens’ tale of Scrooge (A Christmas Carol), but Frank Cross is only interested in ratings and ad revenues. David Johansen of The New York Dolls gives a great comedic performance as the cabbie/Ghost of Christmas Past, and there we see events that made Frank Cross emotionally closed off and success driven. Carol Kane is a strange, fairy-like Ghost of Christmas Present with a penchant for S&M. Comedian Bobcat Goldthwait is almost unrecognizable as the Cratchit-type character, and Alfre Woodard, Robert Mitchum and Karen Allen also stand out in the cast. The ending scene of the new-and-improved Frank Cross is less than effective, but “Scrooged” can be appreciated as a heart-felt if subversive updating of the old Christmas tale. And it actually got funnier the more I watched it.

1. Karroll’s Christmas: As the title implies, this A&E made-for-TV movie gets a lot of things in the story backwards, purposely. Allen Karroll (Tom Everett Scott) is a once idealistic and romantic man who suffered a humiliation on a previous Christmas and is now less than enthusiastic about the Holiday. But he tries, even while enduring the grouchy onslaught from his cranky neighbor Zeb Rosecog (Wallace Shawn), who seems to take special pleasure in tormenting Karroll. Christmas Eve arrives and brings with it the Ghosts of Christmases Past, Present and Future (Alanna Ubach, Larry Miller, and Verne Troyer, respectively)  to haunt the old coot, Rosecog. The only problem with this is that the ghosts arrive at Karroll’s house by mistake. In an effort to salvage their night of Christmas haunting, the Ghosts prevail upon Karroll to take the place of Rosecog as they travel through Rosecog’s past, present and future (although the order gets fouled up and they travel to the present, past and future). Along with learning that his neighbor was not always the nasty piece of work he knows today, and that Rosecog was once sentimental and in fact the owner of the greeting card company for which he now works, Karroll gets a look at his own Christmas missteps and sees that he is on a similar past, present and future path as Rosecog. Christmas Morning, Karroll awakes in his own easy chair, and decides to help the resistant Rosecog find his Christmas Spirit. He is aided in the task by the inept ghosts, whose skills seem questionable at best. In the end Karroll not only saves Rosecog, but himself as well. In his last conference with the three ghosts, Karroll says that it turned out to be a good thing that the ghosts had made the mistake of haunting him instead of their original target, Rosecog. The ghosts respond that maybe they made mistake, and maybe they didn’t. This is another movie not available commercially in any of the formats, but which sometimes shows up on cable channels during the Holiday Season.

Top 5 Christmas Recordings of the Rock And Roll Era

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Top 5 Christmas Recordings of the Rock And Roll Era

Whether in the car, office, department store or the home, Radio provides the soundtrack for the Holiday Season so often and for so many. Here is my list of the Top 5 Singles released during the Rock And Roll era. The recordings included are not necessarily Rock And Roll music. I just wanted to limit my choices a bit. So much Christmas themed music has been released every Fall and Winter for the past century, that narrowing the list of favorites down to less than half a dozen would be like trying to pick your favorite 5 hairs on your head (regrettably much easier when it comes to my head).

5.“The Little Drummer Boy” – Harry Simeone Chorale (1958). Aside from a triangle or two, just human voices heard on this popular recording. This song is the English translation of a Czech carol titled “The Carol of the Drum.” The recording was released every Christmas season from 1958 to 1962, and made the top 40 each of those years.

4. “White Christmas” – The Drifters (1954 & 1955). The rockin’ Doo Wop version of the Christmas Pop standard was recorded by the original Drifters with Clyde McPhatter late in 1953. It hit #2 on the Billboard R&B charts in 1954 and entered the Pop charts in 1955. In 1957 Elvis Presley recorded a version of “White Christmas” heavily influenced by the Drifters’ single, and this one caught the attention of the song’s composer, Irving Berlin, who hated Presley’s rendition and waged a serious campaign to try and get radio stations to ban the Presley version. He was unsuccessful, the Elvis Presley “White Christmas” single topped the Billboard charts, and the royalty checks rolled on in.

3. “The Christmas Song” – Nat King Cole (1946 & 1960). Written one hot July day by Mel Torme’ and Bob Wells, who were just trying to see if they could mentally cool themselves off by writing about a different season, this modern standard was originally recorded in 1946 by the Nat King Cole Trio. Nat rerecorded the song in 1953 with Nelson Riddle’s string arrangement. The orchestral version was released in 1960, only spent a couple of weeks on the Billboard charts, but that was all it needed to earn a Gold Record. Often called/referred to by it’s first line, “Chestnuts roasting on an open fire…

2. “Happy Xmas (War is Over) – John Lennon and Yoko Ono (1971). In 1969 the Lennons put up billboard advertisements in major cities around the world that stated simply: “War is Over! (If You Want It).” This became the theme around which John Lennon composed an anti-war Christmas song. Recorded with the Harlem Community Choir and produced by Phil Spector (who’s own legendary Christmas Album suffered the fate of having been released the very same day President Kennedy was assassinated, and was quickly pulled from release), the single did not initially chart well. But as with so many records with a short but annual shelf life, it sold much better the following year. It has since been covered by a wide variety of musical artists, and the original recording is regularly heard on radio and TV whenever the Christmas Season rolls around.

1. “Merry Christmas Baby” – Johnny Moore’s Three Blazers (1947).  Slightly pre-dating what is generally accepted to be “the Rock And Roll era,” this influential 1947 composition was and continues to be covered by nearly every performer who feels a need for a Christmas song in their set list whenever December rolls around. It’s been recorded by such authentic artists as Chuck Berry, Bonnie Raitt and Otis Redding, as well as wanna-be artists like Jessica Simpson, Christina Aguilera and Hanson. For the original recording Johnny Moore stacked things in his favor by hiring guitarist Oscar Moore of the Nat King Cole Trio, and singer/pianist Charles Brown. The single reached #3 on the Billboard R&B charts.